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Lately, the music brings in about $1,200 per thirty days, sufficient to pay his hire, Casey instructed me, with what appeared like a Lebowskian shrug. “I’ve different songs that I need to put up,” he mentioned. “However I sort of don’t need to promote out.”
I requested if he knew concerning the Bathroom Bowl Cleaners, and he mentioned he’d heard a couple of of their songs. “I’m not making this up,” he mentioned. “There’s this different man, I don’t know if you happen to’ve heard of him, the Odd Man Who Sings About Poop, Puke and Pee. His thought was to customise each poop music. So there’s a Steven Poop music, a Bob Poop music, a Mary Poop music. He’s obtained a whole bunch!”
I instructed him that each bands have been in reality the identical individual.
“Properly, OK,” he mentioned, as if realizing the complete extent of what he was up towards. “I like mine higher, however I’m biased,” he mentioned, lastly. “You possibly can inform he is aware of how one can write songs, however I believe he’s simply been going for quantity.”
In truth, I knew concerning the suite of songs that mix Farley’s two most profitable genres — names and poop — as a result of he was engaged on a brand new set of them after I visited him. He estimated that he had already accomplished about 3,000, however there have been all the time new names.
“This may be sort of painful,” he warned, switching on his keyboard and firing up his laptop computer. He donned headphones, consulted an inventory of names and set to work. Within the silence of the room, I may simply hear the gentle click on of the keyboard and his vocals:
Jamilah, p-p-p-poop/Jamilah poop poop poop.
In “Native Legends,” which is one thing like Farley’s “All That Jazz,” there’s a fantasy sequence through which Farley imagines the 2 sides of his persona arguing: one, the intense, heartfelt artist, the opposite a greasy file govt demanding ever extra poop songs. After all, the scene can solely be a fantasy, and might solely have Farley taking part in each characters, as a result of the greasy file govt belongs to a misplaced world — one through which drastically fewer individuals had an opportunity to supply artwork and the work was usually corrupted by company gatekeepers, however through which there was additionally a clearly marked highway to an viewers and a dwelling. Farley represents each the very best and worst of the incentives and alternatives which have taken this world’s place. Definitely, there are few creators working right now in any medium who wouldn’t acknowledge the anxiousness he embodies: that their work now lives or dies by the vagaries of opaque algorithms serving a bottomless menu of choices to an more and more distracted public. And that in the event that they don’t bow to the calls for of those new realities, their work — and by extension they — will merely disappear. Which is to say that whereas the expertise of watching Farley work was not unpainful, as promised, neither was it completely unfamiliar.
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